Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Jacopo Tintoretto
Moses schlagt Wasser aus dem Felsen

ID: 92293

Jacopo Tintoretto Moses schlagt Wasser aus dem Felsen
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Jacopo Tintoretto Moses schlagt Wasser aus dem Felsen


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Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.   Related Paintings of Jacopo Tintoretto :. | Portrait of Jacopo Sansovino | Portrait of a Gentleman in a Fur | Presentation of the Virgin at the Temple | Taufe Christi | The descent from the Cross |
Related Artists:
Clarice Beckett
Australian Painter, 1887-1935,Australian painter. She studied at the National Gallery School, Melbourne (1914-16), and with Max Meldrum became involved (c. 1917) with the Meldrum circle of artists, which included Colin Colahan (1897-1987), Justus Jorgensen (1893-1975), John Farmer (b 1897) and Percy Leason (1889-1959). In 1919 she moved to the seaside suburb of Beaumaris, where she lived and worked for the rest of her life.
Louis Loeb
Landscape, Portrait, Figure-idylls American 1866-1909
NIEULANDT, Adriaen van
Flemish/Dutch painter (b. 1587, Antwerpen, d. 1658, Amsterdam).






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